埃米尔卢卡斯作品

Emil Lukas – New Portfolio and In theStudio 埃米尔卢卡斯-新的投资组合，并在工作室2014年4月21日

Bubble-up, 2013, 22 3/4 x 17 inches each, edition of35 泡泡了，2013年，223/4×17几寸，版35

DurhamPress is pleased to announce达勒姆按欣然宣布 Bubble-up , a new portfolio of prints by Emil Lukas.泡泡机，版画由Emil卢卡斯的新组合。 The portfolio consists of two etchings and sevenscreenprints, each measuring 22 3/4 by 17inches.该产品组合包括两个铜版画和7 screenprints，每个测量22 3/4 x 17英寸。The nineprints are presented in a portfolio box and are published in anedition of Bubble-up , Lukas both recreates and re-imagines theunconventional materials and methods–including thread, larvae,bubble wrap and glass–of his acclaimed paintings andsculptures.九版画呈现在一个组合框，并发表在一版泡泡机，卢卡斯既再现和重新想象的非常规的材料和方法，包括线程，幼虫，泡沫包装他的著名的绘画玻璃和和雕塑。Theartist organized the prints in a three-byree grid to give theoverall composition of dots, lines, and other marks an upward andeffervescent in this grid, two screen prints referenceLukas's thread paintings, which he creates by stretching layers ofthreads across woodenframes.艺术家举办了版画在一个三乘三格给点，线，和其他标志向上和泡腾in该网格，两种屏幕打印引用卢卡斯的线画，他创建了一个由拉伸层的整体组成跨木制框架的线程。Taut,colorful lines crisscross Hum , and vertical strings accumulate into a dense massin Curtain . Anatomy documents the wandering of larvae and ink onglass.拉紧，多彩线条纵横交错坎，和垂直字符串积聚成黑压压的帷幕。解剖记录幼虫和油墨在玻璃上的徘徊。 By printing screens of the larvae's marks, aswell as several flat washes of transparent ink, the print achievesan opacity and depth similar to that of Lukas's remaining prints in Bubble-up allude to Lukas's distinct painting techniqueswhile also exploring new mark-making possibilities throughprintmakingprocesses.通过打印幼虫的痕迹，以及透明油墨的几个平板清洗的屏幕，打印实现的不透明度和深度类似于卢卡斯的幼虫幅画的在剩余的打印泡了暗示卢卡斯的独特的绘画技巧，同时也在探索新的通过版画工艺标志制作的可能性。In threeadditional screenprints, Lukas again used thread to produce images,but he broke away from his typical unbendinglines.在另外三个screenprints，卢卡斯再次使用线程来产生图像，但是他脱离了他的典型的不屈线。Hecreated a variety of compositions, from the structured undulationsof Curve to the more free-form entanglements of Blood and Release . Glass unexpectedly reinterprets an aspect of Lukas'slarvae work.他创造了各种组合物，从结构化的起伏曲线，以更自由的形式纠葛血液和发布。玻璃意外地重新诠释的卢卡斯的幼虫工作的一个方面。 Instead of exposing glass marked with ink, thescreenprint subtly reveals the gentle variations in tone caused byoverlapping his vacantsubstrate.代替露出玻璃标有墨水时，丝网印刷巧妙地揭示了平缓变化的色调重叠造成他的空置衬底。Theartist used bubble wrap to create soft ground etchings forDetail andOrb.艺术家用泡沫包装来创建软基蚀刻的细节和宝珠。Thoughthey recall his bubble-wrap-cast paintings, Lukas composed theprints to highlight the individual textures and crumpled lineswithin each circle, or “bubble,” of the seemingly uniformutilitarianmaterial.虽然他们还记得他的泡沫包装铸画，卢卡斯组成的版画以突出每个圆圈内的单个纹理和皱巴巴的线条，或“泡沫”，看似统一的功利材料。As withglass, thread or larvae, Lukas's ability to accentuate theparticularity of the everyday pervades thisportfolio.至于玻璃，螺纹或幼虫，卢卡斯的加重日常的特殊性能力贯穿这个组合。