德国当代艺术家作品（转载）

我有机会见到与德国艺术Herakut星期三下午,检查出一些令人惊异的installation-in-progress在他们在美国的首场表演打开这个星期六晚上在卡米歇尔画廊在好莱坞。

有才华的艺术家都在他们自己的权力,茉莉花Siddiqui(赫拉克莱曼(Akut)和所述方式,他们的工作就像谈话的照片,如一个赛季开始的时候,另一张来完成。我很高兴能抓住这个工作进程,因为这对夫妇油漆一层超过另一个,那篇文章会完全改变五或六次作为一个工作掩盖过去。从眼前的世界中获得灵感在他们面前的影响,反映出了温暖的调色盘的日落色调的冷感,希腊人在德国一早上,和人物可以包括从家里养的狗,任何外来的徘徊在这个奇怪的好莱坞大道从洛杉矶布莱德。

Herakut出生在这个世界上的街头艺术和涂鸦节日还是设施以及后面的大街小巷的地方城市旅游的人来说,他们究竟在哪儿。他们告诉我他们想把一块墙在大壁画在威尼斯海滩,如果你有相关的信息和谁去谈确信,贴在评论部分。

这条街遗产设置所转译到画廊的绘画Herakut有时离开画布直走到墙上。这给了这样的感觉,如果有人没有滑一幅油画在他们面前的整个块会在墙上并会有什么给顾客带回家。”我讨厌白色空间,“承认”,并且Siddiqui帆布其实是一个小面积为喷漆。我就象一堵墙,因为我可以使用广泛的中风”这是明显的,因为她站起来的纸板剪(后跳转),这是将近10英尺高。

Herakut的风格包含一个混合的松散的行工作,拼贴,宁愿让人印象深刻的照片。”德国人喜欢喷涂达达,我们爱的是“说Siddiqui切东西。如果这跟对话以图片主意,这样看来,你可以切碎段落和重新排列sentances之前去打印。

如果你去展示你毫无疑问地成为我们的惊奇地照片真实度的技术,莱曼在字面上写了这本书。在马'Claim涂鸦:精选照片(如下所示),莱曼说了他的过程中一步一步的细节。在大部分的情况下,我们认为照片写实绘画可能错过了这一点,因为它不禁问道,“为什么不只是照片吗?”但Herakut需要进一步地通过增加线、颜色和纹理常见的美术绘画真正使他们工作分开。

如果你有兴趣在公演那晚抓住了显示你能做的只有开放的回复(4.12接待这个星期六),为更多的信息Herakut,看看他们的网站在这里

I got a chance to meet up with German art duo Herakut Wednesdayafternoon to check out some amazing installation-in-progress beforetheir American debut show opening this Saturday night at theCarmichael GalLery in Hollywood.
Both talented artists in their own right, Jasmine Siddiqui (Hera)and Falk Lehmann (Akut) referred to they way they work as aconversation in pictures, as one starts a piece that the other willfinish. I was excited to catch this work in progress, because asthe couple paints one layer over another, the piece may changecompletely five or six times as one work covers up the last. Takinginspiration from the immediate world in front of them influencescolor palettes that reflect the warm tints of a sunset in Greece,the cold feeling of a German morning, and characters could includeanyone from the family dog to the odd Hollywood denizens wanderingin off of La Brea Boulevard.

Herakut was born in the world of street art and still doesinstallations at graffiti festivals as well as the back alleys oflocal cities they where ever they travel. They told me they want toput a piece on the big mural wall in Venice beach, if you have infoon who to talk to be sure and post it in the commentssection.
This street heritage translates into the gallery setting asHerakut’s paintings sometimes move from the canvas straight on tothe wall. It gave the feeling that if someone hadn’t slid a canvasin front of them the entire piece would be on the wall and there’dbe nothing for patrons to take home. “I hate white space,”confesses Siddiqui, “and the canvas is actually a small area forspray paint. I like a wall because I can use broad strokes”This ismade apparent as she stands up a cardboard cut out (after the jump)that is nearly ten feet tall.

Herakut’s style involves a mix of loose line work, collage, andrather impressive photorealistic spray painting. “Germans loveDada, we love cutting things up” says Siddiqui. If this follows theconversation with pictures idea, it would appear that you can cutup a paragraph and rearrange the sentances before going toprint.

If you go the show you will no doubt be as amazed as we were by thephoto realistic technique that Lehmann literally wrote the book the Ma’Claim: Finest Photorealistic Graffiti (shown below),Lehmann explains his process in step by step detail. In most caseswe think photo realistic painting might miss the point, because itbegs the question, “why not just photograph it?” But Herakut takesit a step further by adding line, color, and texture more common tofine art painting which truly sets their work apart.

If you’re interested in catching the show on opening night you canRSVP for the guest-list only opening receptionthis Saturday (4.12), for more info on Herakut, check out theirsite here.