贾森·马丁“绘画雕塑”在米兰里森画廊

对于他的第六个展与里森画廊，英国艺术家贾森·马丁提出了一个新的系列铸造铜和镍的作品。 Trained as a painter in oil and acrylic, Martinbegan manipulating his chosen material in the early 1990s,dragging, scraping, combing, raking and squeegeeing paint acrossthe surfaces of his canvases and aluminium panels until their edgesbled colour and the surfaces picked up textures, gestures andhappenstance along theway.训练作为油和丙烯酸画家，马丁开始操纵他所选择的材料在上世纪90年代初，拖着，刮痧，梳理，耙和碾滚漆在他的画布和铝板的表面，直到其边缘流血的颜色和表面拿起纹理，手势和沿途的偶然事件。Thisperformative process has been complicated in this latest set ofcast works, available exclusively through Lisson Gallery, in whichthick impasto marks made from brusque, almost baroque sweeps ofhand-sculpted material have been solidified into metal in themanner of traditional bronze sculptures orstatues.这个表演的过程变得复杂在这最新的一组铸铁的作品，仅通过里森画廊，其中从手工雕刻材料的粗暴，几乎巴洛克式扫描较厚厚涂痕已经凝固成金属在传统的青铜雕塑的方式或雕像。

Thisjewel-like series of eight panel reliefs hovers between dualregisters: between painting and sculpture, between the singular andthe serial, between movement and stasis and even betweenabstraction and figuration, as each viewer is mirrored in thesmooth, unpainted sections of thesupports.双寄存器之间的这种宝石般的八大系列面板浮雕徘徊：绘画和雕塑之间，单数和串行之间，运动和瘀滞，甚至之间的抽象和成形的，因为每个观众反映在的顺利，未上漆的部分支持。Bravuraswirls and snaking rivulets of painterly gesture form endlesslyperusable eddies of incident and yet the metallic sheen refutes andrepels easy interpretation, making these simultaneously seductiveand unyielding, adamantine URA漩涡和事件的绘画姿态形式不休perusable漩涡，但该金属光泽驳斥蜿蜒的溪流和排斥容易解释，使这些诱人的同时不屈，金刚对象。

Martinhas further explored the boundary between painting and sculpture ina new floor-bound sculptural work, titled Anathema , whichresembles a giant alien seedpod or a chromed meteorite crashed inthe gallerycourtyard.马丁进一步探讨在新的地板绑定的雕塑作品绘画和雕塑之间的界限，名为诅咒，它类似于一个巨大的外星子房或镀铬陨石坠落在画廊的庭院。 Alsocast in electro-polished steel, this composite object is based onchunks of virgin cork bark found near his studio inPortugal.也投中电抛光钢，这种复合物是基于靠近他在葡萄牙的工作室找到了原软木树皮块。Itsknotty, abstract exterior adding a further remove from the notionof handmade artistic expression normally ascribed topainting.它的棘手的，抽象的外观加入了更多的手工艺术表现通常归因于绘画的概念中删除。